纪录片视角 DOCUMENTARY VISION

大帐篷— 想象力的避难所
The Moving Tent

  • 台湾 . 陈芯宜
  • Taiwan . Singing Chen
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台湾 Taiwan / 2018 / 118 Min / Rating PG / Mandarin 华语、Japanese 日语/ English & Chinese subtitles 中英字幕

2018 Taiwan International Documentary Festival – Taiwan Competition selected
2018台湾国际纪录片影展 – 台湾竞赛入围

2018 Women Make Waves Film Festival – Taiwan Competition selected
2018台湾国际女性影展 – 台湾竞赛入围

As a truck drives into a square and a moveable tent is set up audience members enter and hear the faint voices echoing from the cracks in society. As the tent becomes a convergence of the thoughts of those both on stage and off, we feel the power of resistance that the entire action entails. Tent theatre is a form of theatre occurring in a temporary tent. It originated out of experimental theatre in post-war Japan in the 60s’. “It aims to bring those voices and memories that have been relegated to the bottom of the society into the tents.” Functioning both as observer and participant, the director documents the tent’s movements around Taiwan in the past decade.

货车驶入广场搭起帐篷,帐篷成员有的换装上妆,上台演出,有的在幕后各司其职。观众进场,倾听社会间隙微弱到几乎听不见的声音,见证帐篷成员集体建构的独特美学,感受经由行动所展现的抵抗能量和反思,观看帐篷剧成了台上台下意念的汇流沸腾。演出之后,成员们收叠帐篷,离开短暂的临时舞台,带着帐篷的核心理念,前往各自现实的生活,继续行动与沉淀,并等待着下一次帐篷升起。

《大帐篷─想像力的避难所》纪录了2004-2016年「台湾海笔子」帐篷行动在台的发展,及其后连带至日本及北京等地的行动轨迹。随着每一次计画的发起与休止,樱井大造与成员们对于帐篷剧场的思索、成员们生活与工作的变化,十年收折为可以转面摊开重新思索的地图。而拍摄过程中,陈芯宜也从保持客观距离的纪录者,逐渐转变为投入帐篷行动的参与者,进入帐篷的劳动工作。